Before heading over the mountain for their performance at the Mockingbird Music Hall in Staunton, Signature Sounds recording artists Joy Kills Sorrow will stop by Jumpin' on the Bed for some great live music and conversation.
With its bold new brand of acoustic music, Joy Kills Sorrow pushes right through the envelope and out the other side. The Boston-based stringband brings a decidedly modern sensibility to an old-world sound, channeling the prodigious talents of its individual members into elegant arrangements and well-crafted songs. While the group pays due homage to its Bluegrass roots—its name refers to one of the first radio stations to broadcast the music of Bill Monroe—the band truly excels in its rich and textured treatment of more contemporary material. Boasting a full arsenal of original songs, Joy Kills Sorrow plumbs the entire spectrum of its spare instrumentation, effortlessly merging influences as diverse as folk, rock, pop, and jazz. The songs that emerge are dark and often funny, ruminating on modern life and love with eloquence and wit. The result is a radical new strain of folk music, one that bravely breaks with tradition even as it salutes the past.
Since its inception, Joy Kills Sorrow has performed at theaters, listening rooms, and festivals across the continent and has been featured on nationally syndicated radio programs. In 2007, the group won first prize in the Podunk Bluegrass Festival Band Contest; that same year, they were deemed the “‘poster children’ for the burgeoning Americana format” by Sing Out! magazine. The band has evolved considerably in the years since then, and their sophomore effort promises to deliver. Slated for release in 2010, the new album, entitled Darkness Sure Becomes This City, was produced by Eric Merrill and features a wealth of original material from members of Joy Kills Sorrow as well as some fine new songs from other composers. Darkness Sure Becomes This City is an accomplished piece of work, laced throughout with polished arrangements and pop-inflected melodies. With it, Joy Kills Sorrow gracefully combines the old and the new, and the outcome, however surprising, is sublime.
Submitted by Peter Jones, WTJU Folk